Play Along Piano

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counterpoint

J. S. Bach: Fantasia in G minor, BWV 917, "Fantasia duobus subjectis"

intasei

2:43	Est. Play Time
61	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	2	8	7	88%
		27	2	9	8	94%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		25	2	8	7	88%
		27	2	9	8	94%

Invention in C

Fabio Lee

1:24	Est. Play Time
28	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		19	1	6	6	100%
		22	0	7	5	96%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		19	1	6	6	100%
		22	0	7	5	96%

Two-Part Invention (reworked)

Aisido

2:50	Est. Play Time
54	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	2	6	6	100%
		18	0	5	8	98%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		22	2	6	6	100%
		18	0	5	8	98%

First Fugue I Ever Finished

Oskar Björkman

1:16	Est. Play Time
32	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		28	1	4	6	98%
		20	2	4	5	71%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		28	1	4	6	98%
		20	2	4	5	71%

Perlian Piano Piece

Stefanokud

4:57	Est. Play Time
119	Measures
	1,294Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		31	1	15	7	100%
		32	1	20	6	85%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		31	1	15	7	100%
		32	1	20	6	85%

J.S. Bach: Sinfonia from "Geist und Seele wird verwirret", BWV 35

BSG

7:28	Est. Play Time
132	Measures
	3,176Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		29	0	12	6	100%
Organ LH		29	1	12	6	100%
View all 10 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Contrabass		29	0	12	6	100%
Organ LH		29	1	12	6	100%
Violoncello Contrabasso		29	0	12	6	100%
Violin 1		30	0	12	7	86%
Organo Obbligato		26	0	10	7	86%
Oboe 1		28	0	11	7	85%
Viola		27	0	10	6	85%
Oboe 2		25	0	10	7	83%
Violin 2		30	0	12	7	83%
Taille		25	0	9	6	80%

J. S. Bach: Kyrie I (Missa H-moll, BWV 232)

BSG

10:12	Est. Play Time
127	Measures
	3,611Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
CB		27	0	9	7	100%
Org e cto		27	0	9	7	100%
View all 15 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
CB		27	0	9	7	100%
Org e cto		27	0	9	7	100%
Vcl/Cb		27	0	9	7	100%
Ob. da Cacc.		25	2	10	7	98%
Flute		22	1	9	7	90%
Bassoon		24	0	8	7	88%
Viola		26	0	10	6	88%
Violin 2		25	0	11	7	85%
Violin 1		24	0	8	7	84%
Tenor		19	0	7	6	72%
Alto		21	0	8	6	67%
Bass		21	0	8	7	62%
Soprano 1		22	0	8	6	61%
Soprano 2		20	3	8	6	53%
Church Organ		10	0	4	3	2%

Piano Invention No. 2

stanknj7

0:26	Est. Play Time
22	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		11	1	0	6	100%
		17	2	0	5	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		11	1	0	6	100%
		17	2	0	5	100%

J. S. Bach: Sei nun wieder zufrieden, meine Seele (BWV 21, #9)

BSG

9:04	Est. Play Time
216	Measures
	5,056Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Org. Cto.		21	87	7	3	92%
		22	0	6	4	100%
View all 15 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Org. Cto.		21	87	7	3	92%
		22	0	6	4	100%
Contrabass		22	0	6	4	100%
Vcl		22	0	6	4	100%
Alto		18	0	6	6	91%
Basso		19	0	6	5	86%
Soprano		14	0	4	6	78%
Tenor		14	0	4	5	75%
Trombone		17	1	6	6	53%
		21	8	6	5	57%
Viola		14	0	4	5	46%
Violin 2		17	0	6	6	44%
Bassoon		18	0	5	4	41%
Oboe		10	0	3	3	29%
Violin 1		9	0	2	1	27%

Sohon Kingdom Suite (Audio Source) (MCC #2)

Dun Ought

10:33	Est. Play Time
220	Measures
	6,545Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		21	1	5	4	29%
		19	2	4	5	27%
View all 22 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		21	1	5	4	29%
		19	2	4	5	27%
Contrabass		15	0	1	9	73%
Violoncellos		14	0	1	7	73%
Violas		7	1	5	7	70%
Violins II		8	0	3	8	70%
Violins I		16	1	3	9	68%
B♭ Clarinets		28	23	7	8	49%
Oboes		20	3	3	8	44%
Horns in F		25	37	1	7	33%
Flutes		26	3	5	8	30%
Timpani		7	0	0	7	30%
Bass Clarinet		13	0	0	6	28%
Electric Bass		12	0	0	3	24%
B♭ Trumpets		18	0	3	6	21%
Piccolo		22	0	3	7	19%
Synthesizer (Square)		21	0	9	8	15%
		18	0	8	9	15%
		19	0	7	8	15%
Violin Solo		17	1	0	5	10%
		21	0	4	8	7%
B♭ Clarinet Solo		20	0	4	8	10%

Canon in G Major

Templetown

1:02	Est. Play Time
26	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		17	1	3	5	100%
		21	2	3	6	96%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		17	1	3	5	100%
		21	2	3	6	96%

String Quartet No. 3 'Mishima' (full score) - Philip Glass

bpittman3

15:23	Est. Play Time
333	Measures
	3,239Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello		23	2	8	8	99%
Viola		23	2	8	7	99%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello		23	2	8	8	99%
Viola		23	2	8	7	99%
Violin		25	2	9	8	97%
		19	3	7	8	98%

Fugue no. 1

Shinon

1:09	Est. Play Time
29	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		17	0	3	8	100%
		12	1	0	6	52%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		17	0	3	8	100%
		12	1	0	6	52%

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